FICGN Narrative FellowsApril 2026

"Grandma Cathy Lives in the Stars"

— Troy Richard Carr · FICGN Narrative Fellows

Troy Richard Carr on his mother's mercy, the gap between justice and healing, and why the systems judging formerly incarcerated people demand the wrong story.

FICGN Narrative Fellows · Essay

  • Essay numberNo. 05 of 07
  • Reading Time~ 9 minutes
  • PublishedApril 2026
  • ThemeMercy · Narrative · Reentry Storytelling
  • Fellow NameTroy Richard Carr
  • Author one-linerReentry coach helping formerly incarcerated people translate their lives into language the world can hear
  • juan-guerra-ge09scOFQnc-unsplash.jpg

    Grandma Cathy Lives in the Stars


    My daughter was sitting on my lap, scrolling through old photos, when she suddenly stopped. "Who's that, Daddy?" she asked. I smiled, because I had answered this question before. Kids don't ask because they forgot. They ask because they're still building the world, still trying to understand where people go when they're no longer here.


    "That's Grandma Cathy," I said.

    She studied the picture carefully, then nodded like she had solved it. "Oh," she said softly. "Grandma Cathy. The one who lives in the stars." Then she leaned her head back against my chest.

    Years later, I realized that what she said in that moment held the lesson my mother spent her life teaching me: a human life cannot be reduced to its worst moment. That idea feels obvious when we apply it to the people we love. But our systems — especially the carceral system — rarely extend the same grace. Instead, they flatten people into their worst decisions, and then ask them to prove they deserve something more.

    ✦ ✦ ✦


    At the time my brother's killer was sentenced, I was in jail on unrelated charges and couldn't attend. My mother went instead. She stood before the court to speak about the man who had taken her son's life. And she asked for mercy instead of vengeance.

    She didn't do that because she approved of what had happened, or because she wasn't grieving. She said it because the man who killed her son had a little girl who still needed her father. In that moment, she refused to let one act of violence justify another kind of loss. She understood something that runs against the logic of most justice systems: punishment does not restore what has been taken. It only redistributes suffering and calls that balance.

    Later, in prison, I came face to face with the man who had killed my brother. He spoke quietly through the opening in my cell door. He said he was sorry. He said he had blacked out, that he didn't remember what happened. He said he loved my brother too.

    I lunged at him.

    What I remember most clearly is not the moment itself, but what followed it. I believed him, and it didn't matter at all. He was getting no second chance from me. I expected that anger to bring relief, or at least a sense of control. Instead, it turned into resentment and left me restless, reliving one of the worst moments of my life. Resentment always seems to make sense, but it rarely does. It doesn't bring anyone back. It doesn't give you rest. It doesn't undo what's been done. It just keeps the moment alive.

    That was the first time I began to see the gap between what we call justice and what actually heals anything.

    "Punishment does not restore what has been taken. It only redistributes suffering and calls that balance."

    My life didn't turn around after that moment. I got out of prison and made choices that put me back repeatedly. I got out again and made more. The version of change we like to tell is simple — someone hits bottom, learns their lesson, and moves forward in a straight line. But real change is uneven. It's repetition, failure, starting over again, and more failure, and another chance to start over again, again.

    What changed my trajectory wasn't a single turning point. It was an accumulation of chances, often given by people who had no clear reason to believe in me. Some knew me. Some didn't. But they chose to extend something our systems rarely do: the assumption that I was more than the worst thing I had done.

    Over time, I began to understand what my mother had practiced instinctively. Mercy is not the absence of accountability. It is the refusal to treat a single moment as the total definition of a life.

    ✦ ✦ ✦

    When I was finally released for good, I reunited with my mother. I hugged her and felt that familiar strength in her arms. What I remember most clearly is the smell of cigarette smoke and shampoo. It was the same combination that had meant home my entire life.

    Not long after, she told me she had cancer. By the time doctors found it, it was already too late.

    Near the end, she drifted in and out of consciousness while sitting beside me. At one point, she leaned her full weight against my body. The woman I had always believed could carry the world suddenly felt small and fragile. Eventually, I sat beside her in hospice and watched her take her last breath.

    It took me decades to understand that what she did in that courtroom was not just an act of personal grace. She knew that violence doesn't end with the moment it happens — it spreads outward and shapes lives far beyond it. And she believed that forgiveness, even when it feels impossible, is one of the only forces strong enough to stop that spread.

    Today, I work with people rebuilding their lives after incarceration, and one of the hardest parts of that work is helping people tell their stories in a way the world can hear.

    Because the first thing many systems demand from justice-impacted people is a clean narrative — a résumé, a timeline, a professional version of a life that has rarely been either clean or linear. But trauma doesn't organize itself that way. It distorts memory, sequence, and meaning. What looks inconsistent on paper is often the natural result of instability in real life.

    So people sit in front of a blank page and freeze — not because there is no story, but because there are too many, and no clear way to tell them in a form that will be understood.

    "A résumé should not feel like a confession. It should function as a roadmap."

    My mother understood something long before I did: a human life cannot be reduced to its worst moment. Mercy is not the opposite of accountability — it is the belief that accountability should not erase the possibility of redemption.

    People don't need second chances. They need fair chances.

    A fair chance means recognizing that the person you see today is not a fixed endpoint, but a moving point in a longer trajectory. It means building systems that allow people to be understood in full context, instead of forcing them to compress their lives into something unrecognizable.

    It also means rethinking what we ask of people. A résumé should not feel like a confession. It should function as a roadmap — something that reflects not just where someone has been, but where they are capable of going.

    That belief shapes the work I do today, helping people translate complex, non-linear lives into something the world can recognize without erasing what they've lived through. Because no one can prove they are more than their worst moment if the systems evaluating them are only designed to see their lows and not their potential.

    I have seen firsthand how narrative can trap a person, or open a door for them. I have watched people get reduced to a record, a gap, a relapse, or a single terrible decision, as if that told the whole truth. It does not. So here is my call: change the narrative. Because the way we describe people shapes what employers, institutions, and communities believe is possible for them. And when we change the story, we make different futures imaginable.

    ✦ ✦ ✦

    Somewhere out there, my daughter still believes her grandmother lives in the stars. And in a way, she does. Because the mercy my mother practiced in life continues to shape the lives of people she never met, including mine.

    __________

    The Ask

    Change the narrative. Build systems that see people in full context, not in their worst moment.

    For institutions evaluating justice-impacted people — courts, parole boards, admissions, licensing:

    Stop treating clean narrative as evidence of credibility. Require evaluators to consider full context, demonstrated growth, and current capacity — not just the moments preserved in a record. Build review processes that allow trauma-distorted memory and non-linear life paths to be heard accurately.

    For employers and HR systems:

    Rethink what a résumé asks for. Replace rigid timeline expectations with structured intake processes that allow candidates to explain non-linear life experiences without penalty. Train hiring managers to evaluate trajectory, not just chronology. Treat gaps in employment history as questions to ask, not as automatic disqualifiers.

    For readers:

    Examine the language you use to describe people who have been incarcerated, in your workplace, your community, your family. Notice when a single moment is being asked to define a whole person. Then ask whether that's the kind of accountability you actually believe in.
    Mercy · Forgiveness · Reentry · Narrative Change · Storytelling · Trauma-Informed Practice · Employment

    Author Bio

  • Troy Richard Carr is the founder of Steel Man Resumes and The Midnight Garden, initiatives focused on expanding economic opportunity for justice-impacted individuals and the organizations that support them. Drawing from his own lived experience navigating incarceration and reentry, Carr has spent more than a decade helping people translate complex life histories into narratives employers and institutions can understand.
  • His work combines direct client practice with the development of scalable, technology-assisted tools designed to help justice-impacted workers rebuild professional identity and access employment opportunities. Carr is a Prison to PhD (P2P) Scholar focused on advancing fair-chance pathways to work and entrepreneurship.
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    Seven leaders. Seven essays.

    One national moment.

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    Tanaine_s Headshot.pngTanaine Jenkins"Untitled Essay"
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    wilfredo.jpgWilfredo Laracuente"America’s Quiet Life Sentence"
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    troy-carr-headshot.jpgTroy Richard Carr"Grandma Cathy Lives in the Stars."
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    Nathan Pro Headshot.pngNathan Stephens"Untitled Essay"
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    Dawn headshot.jpegDawn Jackson"The Silence in My Heavy Bookbag"
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